Richard Linklater, the acclaimed director known for his versatile storytelling, has once again captivated critics and audiences alike with his latest film, “Hit Man.” Premiered at the Venice Film Festival 2023, the movie is an action comedy that explores the life of Gary Johnson, a philosophy professor who moonlights as a fake contract killer for the New Orleans police department. The film is loosely based on a longform true-crime article by Skip Hollandsworth and has been co-written by Glen Powell, who also stars as Gary. The Guardian provides an in-depth review of the film, highlighting its unique blend of comedy and philosophy.
Gary Johnson is not your average philosophy professor. Off-campus, he transforms into Ron, a suave and intimidating figure who lures would-be criminals into police traps. These unsuspecting individuals approach him with stories of unfaithful spouses and abusive partners, only to find themselves handcuffed by the police once the deal is struck. Gold Derby describes the film as a “hidden gem studded with delicious moments,” emphasizing the unexpected depth in what could have been a straightforward action comedy.
The film takes an interesting turn when Gary meets Madison, played by Adria Arjona. Madison is a young woman who wants her husband gone. During their interaction, Gary slightly breaks character but remains mostly as Ron, sensing that Madison is more attracted to his alter ego. Variety reports that the film received a spirited five-minute standing ovation, particularly praising the complex relationship between Gary and Madison.
This brings forth the film’s philosophical question: “What if your self is a construct?” Linklater explores the idea that our identities are performances tailored to the situations and people we encounter. Deadline offers an interview with Linklater where he delves into the myth of the hired gun and the complexities of identity.
As the story progresses, Gary finds himself entangled in a web of lies and deceit. His double life becomes a stressful full-time job as he juggles his relationship with Madison and keeping the police off her trail. Linklater uses this to delve into the dangers of living a life based on falsehoods, where one can lose sight of their true self amid the chaos.
“Hit Man” is a testament to Linklater’s ability to blend high-concept ideas with entertainment. The film has been described as a slapstick spy caper made by a psychology major, balancing silliness and intelligence. It has received positive reviews, with audiences giving it a five-minute standing ovation at the Venice Film Festival.
Just like his protagonist, Linklater himself juggles between high-minded, experimental projects and more mainstream, entertaining films. Whether it’s the creator of “Boyhood” and “Before Sunrise” or the director of “Bernie” and “School of Rock,” both sides of Linklater are winners, each bearing his signature stamp.
